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Content Warning: This section of the guide includes discussion of emotional abuse and cursing.
Psyche Dimitriou uneasily paces during a large reception. The event is held at Dodona Tower, the official residence of the new Zeus (Perseus Kasios), who is now the head of the Thirteen notables who rule the city-state of Olympus. Psyche is uncomfortably aware that the informal purpose of the gathering is to allow the new Zeus to find the woman who will be his Hera, or co-ruler. The new Zeus requires both a spouse and an heir, as his title is hereditary.
Psyche’s mother, Demeter, finds her and expresses her displeasure that Psyche has not sought Zeus’s attention. (In Neon Gods, Demeter tried to arrange a marriage between Psyche’s older sister, Persephone, and the former Zeus, only for Persephone to flee to the underworld for sanctuary and partner with Hades instead.) Now, Demeter tells Psyche to re-acquaint herself with Zeus. Psyche reflects, “I’m the best candidate of her remaining single daughters” (4). As Demeter approaches, Zeus tells Aphrodite to leave him alone, as he is clearly interested in Psyche. This exchange intensifies the tension in the room, given that Aphrodite and Demeter loathe one another. Aphrodite disparages Psyche’s appearance as a fat woman, offering her weight-loss advice.
Zeus’s sister Eris sloppily interrupts the verbal barbs, but Psyche suspects that Eris is only pretending to be drunk. As Demeter and Aphrodite work to hold Eris upright, Eris subtly nods at Psyche, suggesting that Psyche make her escape. Psyche dreads the prospect of becoming Zeus’s spouse but reminds herself that nothing is certain yet.
Psyche escapes to the bathroom, fighting negative self-talk about her size. Psyche notices a man whom she does not recognize stumbling down the hallway and greets him coolly. Moments later, she realizes that he is Eros Ambrosia, Aphrodite’s son and the chief executor of many of the goddess’s schemes—including several murders. Psyche is struck by his beauty. Psyche notices blood on his sleeve and asks if the injury is his, only for Eros to tell her, “It’s the blood of the last pretty girl who asked too many questions” (10).
Surprised, Psyche tells Eros that she is going to assume that he meant his comment humorously. He denies this. Despite her impulse to avoid him, she reminds him that it is in his best interest to look unscathed at the reception, so she offers to help him clean up. As she follows him down the elevator, Psyche reminds herself that “Eros’s reputation precedes him and it’s…very, very violent and very, very dangerous” (12).
After they enter a nearby bathroom, Psyche turns. She is stunned to see Eros shirtless and is unable to deny her attraction to him. Psyche dresses his wounds, urging him to see a doctor rather than attend the party, but Eros reminds her that they both know the value of keeping up appearances. Psyche is disconcerted to see Eros’s clear interest as he watches her in the mirror. She nervously explains that she knows how to bandage wounds thanks to her time living on Demeter’s large agricultural holdings.
Eros changes the subject, asking why she has chosen to help her mother’s enemy. Psyche tells him, “Even monsters need help sometimes, Eros” (18). Eros then asserts that they should return to the reception separately to avoid gossip. As they exit, Psyche stumbles in the hallway, and Eros catches her. As they make intense eye contact, they are photographed by a paparazzo, who assumes that he has discovered a secret affair between the two. Both Eros and Psyche realize immediately that the inevitable scandal will enrage their parents.
The narrative shifts to Eros’s point of view, two weeks later. His mother is furious because the gossip about his putative affair with Psyche continues. Despite his and Aphrodite’s public image as a devoted family, he knows that his role is to be “Aphrodite’s knife” and laments, “She tells me where to go, what revenge to exact, and I follow along like a fucked-up toy soldier” (23). Now, Aphrodite insists that Psyche must die as punishment for Demeter’s ambitions and for Persephone’s new political power as Hades’s wife. Eros reflects that all of Demeter’s daughters are now an object of fascination; Callisto ignores all social norms, while Eurydice is beautiful and gentle, and although Psyche tends to go unnoticed, Eros suspects that she is a sharp observer of power.
When Eros points out that Psyche is a popular social media influencer whose death will draw notice, his mother becomes even more derisive, telling him, “She’s a fat girl with little style and no substance” (27). Eros reluctantly agrees to the task of murdering Psyche. Aphrodite insists that he bring her Psyche’s heart as proof of the girl’s demise.
Eros finds himself eager for solitude and facing regret, as Psyche will now suffer for her generosity toward him. Eros reviews the information he has on Psyche’s family, including his suspicions that Psyche helped Persephone escape from the previous Zeus. Eros reflects that he must ignore the attraction he feels for Psyche, as even if he were to risk Aphrodite’s wrath and go into exile, he has many enemies outside Olympus who wish him harm. Resigned to the murderous task, Eros calls Hermes and asks her to deliver a message to Psyche.
Psyche is shopping with her sister Callisto, who slyly offers to cause a scandal in order to diminish the public’s interest in Psyche and Eros. The two sisters reminisce about Callisto’s recent choice to stab Ares with a fork for insulting Persephone. Psyche retreats to a fitting room to try on her purchases. A voice breaks into Psyche’s thoughts, and she coolly greets Hermes, deciding to maintain her composure despite the awkward circumstances.
Hermes’s message is an invitation to meet Eros at a bar in order to discuss possible solutions to their mutual social predicament. Psyche decides that Eros would not likely harm her in a public setting and decides to keep the meeting. Psyche asks Hermes to tag her on social media on all her outings that evening, as this will conceal her actual location at the bar that Eros has suggested, Erebus, which is named for a dark region of the Greek mythological underworld. Hermes gleefully agrees, implying that Psyche could succeed by “coming on top of Eros. For real this time” (45). Psyche decides not to tell Persephone about her plans to meet Eros.
Eros surveys the remote location of the bar, far from the glamor of central Olympus. He plans to drug Psyche before killing her, and at the moment, he is plagued with anticipatory regret, remembering that he began as a “hunter of monsters, of people who threatened to harm the only family [he has] in this world” (47), until he realized that he had lost even that veneer of justification.
Eros takes in Psyche’s confidence as she sits across from him. She is curious about his use of Hermes as an intermediary. Eros reflects that this is the only way to conceal his role in what will happen next: All of Olympus knows that Hermes never discusses her messages. Eros’s inner torment only increases when Psyche explains that Hermes indicated that he needed her expertise in managing the social media fallout. Eros is stricken at the thought that Psyche is only meeting him out of sincere kindness.
Eros explains that his mother has sent him there to kill her, and Psyche surprises him by reminding him that her family will retaliate. She indicates that Demeter played a role in removing the last Zeus, which piques Eros’s curiosity further. (In Neon Gods, Demeter allowed Hades to fight Zeus, and this clash resulted in Zeus’s accidental death.) Now, Psyche also points out that the new Zeus would also be unhappy about her demise. Eros realizes that he has routinely underestimated Psyche’s grasp of power politics. With some regret, he explains that his mother does not care about the risk of alienating the Olympian elites. Psyche takes in this new information and asks Eros if his mother is the reason he hurried to attend the party while injured; she wonders if Aphrodite will really be indifferent if Eros suffers for killing her. Eros coolly points out that Psyche herself has buried her whereabouts by having Hermes indicate that she is elsewhere.
Eros tells Psyche that he appreciates her effort at showing him the political ramifications of his choices, but she is not placated. He tries to silence her when she mentions that her hopes for children are now gone. In turmoil, Eros realizes, “She’s so fucking brave, and it kills me that I’ve been ordered to snuff out this light” (59). Psyche tries to get Eros to promise that her sisters will be protected from his mother. Instead, he suggests that Callisto can manage herself and that Hades will protect Eurydice and Persephone.
Psyche stuns Eros once more by saying that if he promised to protect her family, she would believe it. Persuaded, Eros tells Psyche that he has a plan to escape Aphrodite’s trap.
The narrative shifts to Psyche’s perspective as she castigates herself for willingly walking into a trap. Eros breaks into her thoughts and announces that they should marry. A baffled Psyche says, “I’m sorry, I misheard you. I could have sworn you just said ‘marry me’” (64). Eros points out that if he marries her, their mothers will be prevented from acting; he also notes that some part of the public is already in favor of their unlikely romance. Psyche admits to herself that the plan to manipulate public opinion is its own kind of protection. Outwardly, though, she tells Eros that she doubts anyone could believe him capable of being smitten. In response, he smiles warmly and repeats his proposal, shocking Psyche with his transformation.
Psyche presses for more about his motives, and Eros admits that the idea of alienating her mother so thoroughly is not in his interest. He reluctantly adds, “It feels shitty to do this after you helped me” (68). Psyche insists that he agree not to retaliate against her family, no matter what happens, and Eros agrees. She tries to suggest a prenup to protect her finances, but Eros points out that if this arrangement were discovered, it would damage the idea of their relationship as a passionate affair.
Psyche has another moment of reluctance as Eros pulls her out of the bar, but he reminds her that he will keep his promises. She agrees, entering his car. Psyche explains that her sisters usually know most details of her life and that they will be skeptical of a sudden marriage. Psyche asks how long the marriage will have to last, and Eros suggests that it will be needed as long as his mother holds her title, which is typically until death. Since Olympians rarely retire, Psyche is chilled at the idea of spending decades in a loveless marriage. Eros flatly insists that he will not harm his mother or allow her to do so. Psyche tries to draw away from Eros as they reach his building’s elevator, but he reminds her that there are cameras and says, “Relax and stop grinding your teeth […] We’re in love, after all” (73).
The novel’s opening chapters introduce the characters and set up new inner conflicts in the aftermath of Neon Gods. Psyche, for all her outward calm and careful calculation, feels somewhat unbalanced without Persephone at her side. Like her sister once did, Psyche finds herself preoccupied with her future and worried about her mother’s marriage schemes. Although she is less horrified than Persephone was, she still takes the escape that Eris offers her. These early scenes also reveal that despite Psyche’s keen awareness of the calculus of power, she does not seek power for its own sake, as her mother does. Robert also establishes that Aphrodite’s dislike of Psyche is rooted in resentment and fatphobia, and it is clear that Aphrodite is so willing to enforce conventional beauty standards that she allows her loathing of Psyche to add to her rationale for committing murder.
As Psyche and Eros are caught in the midst of their parents’ political machinations, their first encounters explore The Tension Between Public Image and Private Identity. Right away, Psyche senses that Eros is more vulnerable than he appears to be, and he likewise comes to appreciate her wit as well as her physical beauty, two aspects of her personality that she does not readily emphasize among the wider circles of Olympian power. Though the pair’s moment of publicized intimacy is not entirely authentic, their momentarily close pose does betray the genuine attraction and chemistry that has arisen between them despite Psyche’s fears and Eros’s insistence on avoiding intimacy.
In their subsequent meeting, Psyche’s status as a popular social media influencer combines with her sophisticated grasp of power politics to emphasize the fact that she and Eros are commonly underestimated in very different ways. Whereas Eros is often assumed to be shallow or amoral, Psyche is seen as nonthreatening and unsophisticated. Thus, their choice to enter a marriage of convenience that depends on manipulating public opinion hints that they already respect one another’s superior intelligence and social skills. By strategically alternating between the two characters’ perspectives, Robert more easily conveys the idea that Eros’s feelings, however unconventional, are genuine, just as his turmoil at the idea of hurting Psyche is consistent and real.
Robert also uses these early scenes to establish that both Psyche’s and Eros’s lives have been largely shaped by the actions of their powerful mothers. While Psyche resents Demeter’s interference and is skeptical of her mother’s sense of morality, Eros sees Aphrodite as the agent of his destruction. He knows that acting on her behalf has destroyed any claims he might have had regarding morality, setting him apart from others and saddling him with a particularly dark reputation. His claim to be a “monster” establishes his conviction that Aphrodite has made him just like her, if not worse. Psyche is somewhat shocked by this, especially when she realizes that her own mother’s role as a protector is a constant in her life; she therefore benefits from a source of emotional support that Eros lacks. Likewise, Psyche’s bond with Callisto, for all the latter’s acerbity, is rooted in the sisters’ shared humor and understanding, while Eros’s interactions with his mother are filled with her threats and barbs at his expense.
In the midst of these complexities, Psyche is further burdened by doubts that her family will accept the story of her sudden romance with Eros. This snag combines with Eros’s conscious alienation of his own mother and suggests that even a marriage of convenience will bring out the tensions of Balancing Family Loyalty and Romantic Partnership. Eros himself is aware of this when he invokes the story of Romeo and Juliet as proof that their contrived romance will find public resonance. Psyche’s sharp reminder that Shakespeare’s play is a tragedy sets her up as his equal in intellect and wit and subtly suggests that whatever adversity awaits the pair, their romance will not conclude with suicide. The pair’s concern over their respective families’ opposition reflects the original myth, in which the two marry in secret because Aphrodite is envious of Psyche’s beauty. Given this reimagined Psyche’s heavier form, Robert’s version thus argues that fat women can be objects of desire and envy.
In these chapters, Robert employs romance tropes and a change of setting to signal that the novel’s emotional stakes are about to intensify, even as the tension of Psyche’s potential death is removed. The pair’s forthcoming marriage requires them to engage in close physical proximity, as does their new public image as a couple. Eros highlights this aspect of their ruse when he deliberately continues their performance even when the only audience is his building’s security cameras, feigning romantic feelings that he does not yet feel in earnest. Notably, Psyche and Eros first met in neutral locations like Dodona Tower and Erebus, and so far, they have existed mostly as their public selves, immersed in settings that reflect their social status. Given the tension between public image and private identity, it is clear that Olympus functions much like the ballroom or court in a historical romance—the formal setting for enacting politics and reinforcing norms around power and gender. In such spaces, Psyche exists as a marriage prospect more than a person. By contrast, the pair’s sudden turn toward Eros’s apartment and Psyche’s acceptance of his proposal collectively signal the pair’s retreat into the realm of the personal. This shift indicates that Psyche’s fears of a loveless marriage are likely to prove unfounded, as the change of setting foreshadows greater intimacy between them.
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